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Timothy Loper ran unopposed in Ward 1 in the recent election and naturally won. Loper had previously won a recall election, in 2004, having run as a reform candidate who was opposed to the over-privileged of Portsmouth and to the city’s purchase of the Marting building in particular. In a taped interview with me before the 2004 recall election, which I did for a documentary Recall of Mayor Bauer, Loper said he had been unable to find steady work in Portsmouth and he blamed those in power with failing to revive the city’s depressed economy.
He convinced me he was a sincere reformer, and, as a resident of Ward 1, I voted for him, even though a person who knew him better than I warned me at the time that he was “worthless.” Once elected Loper quickly changed his tune and became part of the corrupt council majority that voted for Marting’s and is otherwise in the pocket of the over-privileged of Portsmouth. In one council meeting, he appeared to suffer pangs of conscience and said he had been “played for a dummy long enough,” but in subsequent meetings he went back to being played for a dummy.
In addition to having trouble holding down a steady job, Loper also had trouble holding on to his Madison St. house, which was sold at sheriff’s auction. When complaints were made that he had moved out of Ward 1 following the sale of his house, and that he therefore could no longer legally be Ward 1 councilman, Loper
claimed he was still living in Ward 1, at 519 1/2 Third St. in what I've been told is a former small shoe repair shop. As proof of his place of residence, his name was pasted conspicuously in gold letters on the mail box. Unpersuaded by the mail box, and the makeshift digs on Third St., Harold Daub wrote a letter to the city solicitor asking for an investigation into the issue of Loper’s residence.
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Spud's Live Bait Shop
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Daub in hospital
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Flagrante Delicto
Daub was slugged at the moment he was taking a photograph of the burning building. I would like to see Daub’s blurred photo enlarged and hung on a wall of the Scioto Museum of Art, and perhaps copies could be put on sale at the new Welcome Center as a surrealistic expression of Portsmouth’s hellish political atmosphere. I can even suggest a name for Daub’s sucker-punch masterpiece: Flagrante Delicto ("while the crime is blazing")
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Flagrante Delicto, a sucker-punch photo by Harold Daub